Studio Practice
Every body of work originates with dry raw pigments sourced from regional quarries and hand-ground in cold-pressed walnut oil. Surfaces are built over unbleached flax woven in Flanders, prepared with traditional rabbit-skin sizing that preserves the natural cadence of the fiber.
Drying intervals follow seasonal studio humidity, requiring up to eight weeks between glaze passages. This deliberate pace ensures chemical stability and archival longevity across decades, rejecting synthetic driers in favor of optical depth and structural integrity.
Selected Milestones
Institutional record
14
Solo museum exhibitions
08
Permanent public collections
22
Years in continuous practice
Institutional documentation
Full curriculum vitae, exhibition histories, and exhibition loan packets available upon curator request.